Another AI Oil Painted Image of the Natural Bridge
The process used for this AI image is from Brian Mataish’s video called Photoshop Generative Fill AI Can Turn Photos into Paintings using the Quick Mask to set the partial opacity selection. Check out my blog at AI Digital Oil Painting – How To Do Fun Photoshop Blog for info on this technique. This blog is to show the post-processing after the Generative Fill was created to demonstrate what can be done with an AI generated image.
Had to use the Remove Tool/Spot Healing Brush on a layer first thing (see center of my Photoshop Beta AI with Fenced Zoo Images Fun Photoshop Blog for more on this). Then a Color Lookup Adjustment Layer using On1’s Heat Wave 7 preset (yep they work in PS too) was added. I was not happy with the results yet so this time Luminar’s Neo was opened and only my favorite filter called Mystical (a bit like the Orton Effect) was selected. It was masked so the foreground water mainly used it. A swan was added using Midnightstouch Swan Lake set brush #22 (the set is on DeviantArt) – just painted over it with my SJ Pastel-3 Painting brush (it is set to 67% opacity most of the time – see my How to Create My Favorite Brush Fun Photoshop Blog for the settings) and lowered the layer opacity to blend it in. I felt a focal point needed to be supplied. A bluish texture was applied using the Adobe Paper Texture Pro panel (Caspian) set to Saturation blend mode at 79% layer opacity, and used a Levels Adjustment Layer to fine tune the using only the color Channels (followed Aaron Nace’s video called Make Amazing Photoshop Composites Quickly-part 1 at the 22-minute point – really interesting technique). A Curves Adjustment Layer for tone was added (see Denny Tang’s site with a Tone Chart Photoshop Action to download for doing this – have been using this technique as an action for over 5 years – it’s the best way to do this and use it on almost every image). There was this ugly blob on the right side of the image which was supposed to be a tree. Selected the tree area – generated it and got what you see in this image which looks so much better. The color was off a little so a Curves Adjustment Layer was clipped to it to make it match – to clip use the first icon at the bottom. Some sparkly dots were added to add a texture interest on two different layers – one using light colors and one using darker ones. Last step used Pratik Naik’s technique (see How to Create a Fun Cartoon Tip 2 Fun Photoshop Blog – on a layer above set to Overlay blend mode – use at least a 100 px soft round brush set to Airbrush in the Options Bar and Flow at 9% and use white or light color to lighten image or black or darker – different colors give some great results – use layer opacity to lower effect) to draw the eye to the swan. Still using a pretty basic workflow!…..Digital Lady Syd
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