Snowy Butterfly with Akvis Sketch
This is a female Palamedes Swallowtail Butterfly (the males are smaller and blacker in color) that was so much fun to photograph – my favorite type of butterfly to photography as they as not so skiddish to shoot. I decided to try out the Akvis Sketch plug-in that I recently reviewed. (See Digital Lady Syd Reviews Akvis Sketch Plug-in for Photoshop.) To get this image, first I opened up the image in Photoshop. To sharpen the image Calvin Hollywood’s Freaky Amazing Details action was applied – see my Tidbits Blog A Little Hollywood for My Butterfly Model to get information on how to do this and the action download link. A composite was created on top (CTRL+ALT+SHIFT+E) and Akvis Sketch was opened – a preset I created before was applied, (Used the Classic style, Strokes section Color Pencil was set to 63, Edge section Edge Width was set to 56 and a Good Colored Sketch preset was created.) Next a Shadowhouse Creations Vintage Soft Grunge V27b texture was applied. A New Layer was added on top where French Kiss Spatter4 Brush 22 was set to 5000 px at 30% brush opacity to create the soft purple splotchy layer. Next Shadowhouse Creations free Cabin/Trees brush was applied at 49% layer opacity. The top layer used my free SJ Snow2 Overlay slight blur at 100% layer opacity. Anyway just another way to have fun with Akvis Sketch…..Digital Lady Syd
A Fairytale Gazebo
As promised, here is a totally different rendition of the same image I posted earlier. (See Where Am I?) This was just plain fun to do. Below are the boring details – it actually took me along time and a lot of manipulating to get this result but I really love how it turned out. The soft diffused look really adds the fairytale quality to the image. Bottom line, just keep playing with an image and you can come up with some surprising results…..Digital Lady Syd
Basically I got the crazy pastel colors by applying Nik Viveza 2 (here are the settings which produced a rather green and pinkish layer: Brightness 86%, Contrast 100%, Saturation 86%, Structure 100%, Shadow Adjustments -100, Warmth -2%, Red 17%, Green -9%, Blue 22%, and Hue 39 degrees). Then Control Points were added in various areas to adjust tweak the color. A composite layer was created (CTRL+ALT+SHIFT+E) as the top layer. This layer was duplicated and Topaz (see sidebar for website link) photoFXlab was opened. What I listed in my Photoshop note attached to the image is in parentheses. (Duplicate layer. Plug-ins Tab was selected and Black & White Effects was opened. Used my SJ White Flower settings preset which has these settings: Basic Exposure – Contrast 0.16, Brightness -.04, Boost Blacks -.12, and Boost Whites .20; Adaptive Exposure – Adaptive Exposure 0.26, Regions 8, Protect Highlights .06, Protect Shadows .02, Detail 1.80, and Detail Boost .96; Color Sensitivity – Yellow .22, Green -.04, Cyan .01, and Blue .01; Quad Tone – Color Region 1 Black and slider at 0.00, Color Region 2 Red 23/Green 25/Blue 86 at 119.4, Color Region 3 Red 113/Green 150/Blue 170 at 187.8, and Color Region 4 White at 255.0; and Transparency 1.00. Diffusion section was checked and Softness was set to .75, Diffusion to .60, and Diffusion Transition to .50. Local Adjustments mask was set to Detail brush and the gazebo and columns were painted over. Then the B&W Effects plug-in was exited. Stamp From Stack button was pressed and in the Adjustments tab Dynamics slider was set to 29. Another From Stack button was created and from the Plug-ins Tab, Topaz Adjust 5 was opened where Painting Venice preset was applied with no changes. Once back in photoFXlab the Mask tab was opened and the effect was painted out once again from the gazebo and columns.) The changes were applied and the image was back in Photoshop. The yellows in the front bushes and trees was too bright, so a Image -> Adjustments -> Replace Color was selected using a light purple color. A Color Balance Adjustment Layer was clipped to the Replace Color layer and the purple colors were further enhanced. Next a brush was created to make purple to pink sparkles for the bushes and trees. (Brush settings were: Hard Round Brush – Size 20 px, Spacing 141, Shape Dynamics Size Jitter 25, Scattering 944%, and Color Dynamics Brightness Jitter 50%.) Used a light color (#917eb5) color and a darker color (#5e5098) of purple and painted around trees and bushes – then added a layer mask to remove from areas the lights got scattered over. A clean up layer was created to clean up some of the harsh that showed up in unexpected places. My SJ Snow1 Overlay was applied at 61% opacity. A composite layer was added on top and duplicated. The top layer was changed to Multiply. A layer mask was added and the cupola was painted back in white for emphasis. A Curves Adjustment Layer was added to add contrast to the cupola. The sky was selected and put on its own layer and converted to a bluish purple sky by clipping a light purple Color Fill Adjustment Layer to it. Next a Grunge Border line was applied around the image in a dark purple color.
Happy New Years!
Happy New Years to everyone. I posted this image earlier today and thought I would give you the info on how to create it. The flowers are two of my red gerberas from my back porch that decided to burst forward on the New Years weekend. They are a little crazy looking as I keep moving them into the house when it gets cold and outside again when it warms up! Anyway, here are the steps in a nutshell! After initial processing and cropping in Lightroom, Topaz (see sidebar for website link) Detail 3’s Medium Detail II preset was applied. Next Isabelle Lafrance free Christmas Lights overlay was applied for the bokeh effect. I just used a soft black brush on a layer mask to bring the red gerberas back into the image. Next I applied my free SJ Snow 2 Slight Blur Overlay and added a Pattern Overlay. In another document I opened up my free Smudge Texture and changed the colors to reds, greens and yellows – saved it down as a new pattern (Edit -> Define as a Pattern). Then on the Snow Overlay layer, I created a layer style using the Pattern Overlay and selected my new pattern set to 33% scale – this gives the colored confetti look. I duplicated the layer and Free Transformed it (CTRL+T) – selected Flip Vertical so the colored snow on this layer lines up differently. The bottle is from Mel’s Happy New Years Brushes with a Bevel & Emboss layer style applied along with the fizz. The font is Orial with a Stroke, Inner Glow and Outer Glow layer style added. The last step was a Curves Adjustment Layer to add some contrast. Lots of fun to play with all these effects! Hope everyone has a chance to play in Photoshop and try out some of these fun techniques!…..Digital Lady Syd
Christmas Wreaths at SeaWorld
For this wonderful holiday, thought I would show this pretty image of wreaths from SeaWorld Orlando. Just a little basic processing in Lightroom before taking the image into Photoshop. Topaz (see sidebar for website link) Adjust 5’s High Key preset was applied with the Overall Transparency set to .24. Next Topaz Detail 3 was applied using the HDR Enhancement II preset. French Kiss’s Artiste Chamante texture was applied and set to Overlay at 100% opacity. My free Snow1 Overlay was next applied and set to 75% opacity. French Kiss’s Glorious Grunge Edging Overlay was applied next and a Solid Color Adjustment Layer set to a light pink was added. Since the edging did not seem to show up real well, it was duplicated along with the Adjustment Layer. That was all that was done and I love the final effect – the umbrella really added to the shot. Hope all are having a wonderful week!…..Digital Lady Syd
