Why I Love OnOne’s Perfect Layers!
OnOne’s Perfect Layers plug-in was used to add the texture to this image. It could have been done in Photoshop just as easily (and a lot of people say this), but the reasons I like Perfect Layers is that:
(1) you just have to click a button to get rid of a texture you are trying and do not like;
(2) just load a new texture to apply and add several others if you want. Much easier that placing a texture from Bridge and then going to the Layers Panel to try different blend modes.
(3) can create several virtual copies with different effects in Lightroom and bring them all into Perfect Layers as one file with lined up layers where the blend modes can be changed, textures added, and areas masked out. Major cool!
(4) even though it is not a Smart Object, when you open the PSD file in Photoshop, all the layers created in Perfect Layers are in place and reconstructed right there.
I am all for doing things faster and better and Perfect Layers does just that. I am not sure I have created a bad texturized image since getting this program. And that is why I Love Perfect Layers!
The image is of a building in Stirling, Scotland. The beautiful texture is provided free by ShadowHouse Creations and is called Oil Painting One (it has a nice short tutorial with the download that is very good also.) An OnOne PhotoFrame called acid burned controlled 05 was added and the image sampled to get a matching frame color.
Give Perfect Layers a try if you use Adobe Lightroom – can download a trial of Perfect Layers by clicking on the OnOne Perfect Photo Suite link on the side. Until Later…..Digital Lady Syd
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“Perfect” Perfect Layers!
I keep finding excuses to use Perfect Layers, this fairly new plug-in for Lightroom, by OnOne Software. I really did not think that I would use it that much, but then I start playing around with an image, and there I go, back into Perfect Layers! It is so easy to try out the effects of my favorite textures on my images, and it is easy to stack virtual copies (and other textures or images – the layers can be dragged up or down in the stack) to get a totally unexpected look.
For this image of the London Eye, I cropped the original image and then created a Lomographic Preset (follow this very simple video from Michael Rather at the Digital Photography Connection on “Creating a Lomography Image) on a Virtual Copy of the cropped image. Select both the original and virtual copy images and open them up in Perfect Layers to create two layers stacked. A new image, Shadowhouse Creations Oil Painting-5 texture, was then imported and stacked as a layer on top and set to Hard Light. The top two layer’s opacity was adjusted to taste, and voila – a pretty nice texturized image! (By the way, I keep using this set of textures all the time – gives a real painterly canvas look to the image.) Here is a link to Lomo Presets from Matt Kloskowski’s Lightroom Killer Tips that have similar settings but a slightly different color and look. I have actually seen presets with a blue tint instead of green for this effect.
Definitely give this plug-in a try if you have Lightroom. I believe there is room for a lot of creativity and it is much quicker than going into Photoshop to see what results you are getting. Have fun creating!…..Digital Lady Syd
