Problems for Big Ben
 |
It is funny that I had just completed this image of Big Ben a few days ago and then it comes out that is has some tilting issues, 0.26 degrees NW or 18 inches off center at the top of the 314-foot tower. It will be thousands of years before Britain’s iconic landmark that houses the clock gets as bad as the Leaning Tower of Pisa in Italy. The rumor is Members of Parliament are meeting to discuss what to do including these two options: 1) Do costly repairs to both the Parliament Building and Big Ben, or 2) sell the entire complex to a rich foreign developer. Hum! For more information on this, check out The National Post article.
I tried to find an old famous painting of Big Ben but could not find one – can’t believe no one painted this gorgeous landmark in the 1800’s so my search is still on. In the meantime, I did find a site selling some very interesting Big Ben posters at Art.Com that I found very inspirational – give it a look to see some of the creative work others are doing (and for profit!).
How I processed this image? Believe it or not, this is just another pseudo HDR processed just like I do all my pseudo HDR’s. Used my SJ-Vivid Drawing Look preset in Lightroom 3 (download here if using Adobe Camera Raw) (note: change file extension to .xmp in zip folder to get file to work) and adjusted the Exposure, Blacks, Red Saturation (-45), Blue Saturation (+61), and Green Luminance (+3) sliders to make the image colors pop correctly. In fact the red bus was overpowering the image so the red saturation had to be reduced quite a bit. (Hover over image to see how it looked coming out of Lightroom.) I must say there was an amazing sky that day! Some clean up in Photoshop was done and the image was taken into Nik Color Efex Pro 4. All I did was add the SJ Pseudo HDR1 recipe (NOTE: This download link is broken if you click the Download button, but by right clicking on the button and choosing “Save Link As,” the file will download correctly.”) – I had to tone down the Detail Extractor and Contrast a little and change the Effect Radius to Large to get rid of the over-exaggerated HDR look. In Nik’s Viveza 2 I added a point on the clockface to make it really sharp but this could easily have been done with the Sharpen Tool in Photoshop. The last step was to add a Curves Adjustment Layer to brighten the whole image just a little. I was surprised how much detail came in from only applying the Lightroom preset without the Photoshop plug-ins. You could actually see the people riding inside the bus! It’s great when it all comes together with the light and composition to create a great shot!…..Digital Lady Syd
Digital Lady Syd Related Blogs:
Pseudo HDR Using NIK Color Efex Pro 4
Another Pseudo HDR Image with NIK CEP4 – Got to Love the Effect!
Where Am I?
Another Pseudo HDR Image with NIK CEP4 – Got to Love the Effect!
I am loving this pseudo HDR effect with NIK Color Efex Pro 4 (CEP4). This image just about represents my look when I am processing a picture – just love the sharpness and color. Before it took a lot more manipulation to get to the same place but with CEP4, it just pops into place. The steps I used to process this image are as follows:
1. In Lightroom, I applied my Vivid Drawing Look ACR/Lightroom Preset (see below for my blog link where you can manually apply the settings or download the presets). The Exposure, Blacks and Fill Light were adjusted just a bit and it was opened up in Photoshop.
2. Open image up as a regular copy and do any clean up using Clone Stamp or Healing Brush.
3. Duplicate cleaned up image layer and Convert to a Smart Object by right clicking on the layer and selecting Convert to a Smart Object.
3. Go into CEP4 and use the following filter effects stacked top to bottom:
- Apply Tonal Contrast, Darken/Lighten Center, Detail Extractor, (these three filters are contained in my Pseudo HDR1 recipe (see Settings for Vivid Drawing Look ACR/Lightroom Preset and NIK’s CEP4 Pseudo HDR Recipe to download or enter slider amounts manually);
- Glamour Glow with 3 control points (each covering 20% of image) to remove most of the effect from clock face and center of porch (Glow 32%, Saturation -100%, and Glow Warmth -47%, Shadows 41%, and Highlights 44%);
- Photo Stylizer adding a plus control point in center of image to place effect just there covering 42% of image (Varitone, Style 6, Strength 67%); and
- Vignette (Vignette Color whitish as sampled from image, Shape 2, Adapt Edges 0%, Transition 80%, Size 0%, and Opacity 43%).
3. After coming out of the plug-in and back into Photoshop, the image was sharpened with the Unsharp Mask filter although I now prefer the more localized use of the Sharpen Tool.
4. Added Inner Glow and Stroke Layer Styles.
5. Added a Curves Adjustment Layer to get that good final contrast.
6. One of the things I did do on this image was double-click on the right side of the Color Efex Pro 4 layer inside the Smart Object and reduced the effect to 75%.
I love the final result – it really looks like the old historic St. Augustine on the day I visited. Try this little recipe on one of your detailed images and see if you like what you see…..Digital Lady Syd
Related Digital Lady Syd blogs:
Pseudo HDR Using NIK Color Efex Pro 4
Where Am I?
With One Good Photo – Try the Pseudo HDR Effect
Why I Love Topaz Adjust!
Using Topaz Adjust 5 and Color Efex Pro 4 with Photoshop Elements
Since I began showing some of the things you can do in Photoshop Elements, I thought I would show how you can get really great results adding plug-ins to the program. They work the same in Photoshop CS5 and Elements. This is a really good deal for Elements users since it gives you some features you cannot do in the program itself. For example, Topaz Adjust 5 has a Curve Tool where tonal contrast can be added to image there is you need it.
 |
The image is one of the towers of the old Hotel Alcazar (now St. Augustine’s City Hall and Lightner Museum). Hover over the picture to see the original shot. To begin with, I was not happy with the washed out sky – not a hint of color in it!
1. Once in Photoshop Elements, you can immediately go into NIK Color Efex Pro 4 because this plug-in creates its own layer to make changes to. Go to Filter -> NIK – > Color Efex Pro 4. After lots of experimentation (which is really nice since if you mess up, there is a History panel on the left so you can go back to where you started), a new Flagler Tower recipe was created stacking these 5 filters: High Key, Film Efex: Vintage (using Film Type 7), Brilliance/Warmth, Vignette, and Detail Extractor in this order. Not a lot of changes were made to the sliders.
2. Duplicate this layer and name Topaz Adjust 5.
3. Open the Filter the same way as above. In Adjust a preset created in an earlier version was applied that was called Sunset on Building. I cannot tell you how it was created since it was done some time ago in an earlier version. Unfortunately it is very hard to tell which preset you started with in Topaz (as opposed to NIK) – you just have to save what you like. I did use the Curve Tool in the Global Adjustments section to make the contrast in the image better.
4. Back in Photoshop the layer was changed to the Darken Blend Mode.
Do take the time to check out these two plug-ins, especially the Topaz Adjust 5 plug-in (see right sidebar for Topaz Adjust 4 to link to website) – it was the first one I bought and I have not regretted it. Topaz is known for their reasonable prices in the plug-in world and once you buy their plug-ins, you get their upgrades for free! No one does that! And NIK’s Color Efex Pro 4 may be the best plug-in ever developed! And do not forget to try the combinations of your plug-ins – sometimes the results are incredible!
I hope this gives everyone an idea on how easy it is to use plug-ins, and most plug-ins compatible with Photoshop CS5 are also compatible with Elements. They usually have reasonable trial periods so you should see if this will take your Photoshop expression to a new level. I know it does for me!…..Digital Lady Syd
Digital Lady Syd’s Related Blogs:
Digital Lady Syd’s Review of Topaz Adjust 5
Topaz Adjust 5 is Here! First Look!
The New Film Efex-Vintage Filter From NIK CEP 4
NIK Color Efex Pro 4 – Digital Lady Syd’s Review!
Combining Plug-ins – Double the Effect!
Psuedo HDR Using NIK Color Efex Pro!
Why I Love Topaz Adjust!
Black and White Photo or Not? Give It a Try on That Difficult Image
 |
This image is of the beautiful cut glass display at the Lightner Museum located in the old Alcazar Hotel in St. Augustine. As you can see it is a very nice collection and I wanted to find out if the color in the image was distracting from actually seeing the ornate cut glass. See the black and white conversion by hovering over the color image. As I discovered, this image turned out to be a difficult choice to process no matter which effect you want.
Color Version
The top image was processed using the NIK Color Efex Pro 4 (CEP4) plug-in on a Smart Object layer (right click image and select “Convert to a Smart Object” since CEP4 will keep your settings and control points in case you want to adjust the results later) and stacking several filters including from top to bottom: Tonal Contrast, Darker/Lighten Center, Vignette, Glamour Glow, and Pro Contrast. Various control points were added to selectively choose areas for some of these effects. In Photoshop the cut glass edges were selectively sharpened using the Sharpen Tool on it own layer, and a final Curves Adjustment layer was added to get the correct contrast. Overall, this image is attractive since the blue-green sets off the glassware nicely.
Since there are some bright colors in the background that might be distracting from the main focus point, and the museum walls and columns have what I consider to be a rather bland creamy color to it, a black and white conversion might be appropriate to tone down some of the distraction and get rid of the creamy tones.
Black and White Version
I duplicated the cleaned up image layer and turned it into a Smart Object as above. Once in the NIK silver Efex Pro 2 (SEP2} plug-in, from the side preset panel the o14 Grad ND (EV -2) preset was selected and it really made the glass pop out clearly. In Photoshop the Sharpen Tool was used to bring out some of the glass edges (again, do this on a New Layer above the image) and the opacity of this layer is reduced so artifacts are not viewed. A final Adjustment Curve is added to give just the right amount of contrast. The items on the back wall initially appear to be more distracting than in the color image but the creamy tones did convert to the white tones nicely.
Conclusion
The image may not work as a black and white and the only way to figure this out is to try it. In this case SEP2 was used to convert the image to black and white, but the conversion can be done in lots of ways – in Adobe Camera Raw or Lightroom using a preset, or in Photoshop using a Black and White Adjustment Layer or Channels, as just a couple examples. NIK’s SEP2 is an excellent way to find out quickly since the presets allow you to glance over many black and white variations – if the image is really not going to look good as a black and white, you will know it.!
I am on the fence about which version I like best. The image was not the best choice to process to begin with and the glass creates a huge challenge just to get enough contrast to make the it stand out. Still it was good practice and I like the picture because I liked the cut glass collection. Just remember sometimes the image you want to process is not that great and does not work – but at least try a couple different effects including black and white and maybe there is a good shot hidden in there!…..Digital Lady Syd
Related Digital Lady Syd Blogs:
NIK’s Champion Plug-in – Silver Efex Pro 2
Topaz B&W Effects vs. Nik’s Silver Efex Pro
Topaz B&W Effects Plug-In – A Real Winner!
Loving Both Filters!
 |
The above image is one of the beautiful Lion Posts outside Flagler College in St. Augustine, Florida, which used to be the Ponce de Leon Hotel built in 1887. Absolutely beautiful building. Cannot miss it if you go to this wonderful historic city.
Wow – all I can say is that I cannot decide which program I like best – NIK Color Efex 4 or Topaz Black and White Effects. So different and so much alike! I keep trying the same image in each program and get totally different looks but both are really nice! What to do, what to do!
The top image was processed with NIK Color Efex Pro 4 using the Film Efex: Vintage filter on Film Type 14; Detail Extractor filter; and Brilliance/Warmth filter. I used the Sharpening Tool in Photoshop to sharpen the eyes and mane of the Lion. Then Grunge 03 OnOne PhotoFrame was applied in a dark navy. I loved how it became very artsy and colorful. And the background detail is incredible!
Topaz Black and White Effect produced a very different feel that can be seen by hovering over the image. Same exact image from Lightroom except this time I wanted to see what how this image would look as a black and white. I used the new Platinum Collection – Platinum VI as a starting point. What really improved this image was using the Local Adjustment Dodge brush and Detail brush on the shadows in the face and the lamp. This really brought the eyes out very clearly. Using the Color brush, the lights was added back into the lamp. A black border, dark edge exposure, and dark vignette was added. In Photoshop the Sharpen Tool was used on the eyes a little more and the mane. Overall a very different feel to the same image.
I really love both filters and I do not believe I can recommend one over the other. Both totally great. Give the trials a try and see what you think!…..Digital Lady Syd
Related Digital Lady Syd Blog Links:
Topaz B&W Effects Plug-in – A Real Winner!
NIK Color Efex Pro 4.0 – First Try!
The New Film Efex-Vintage Filter from NIK CEP 4
Quad Tones in Topaz Black and White Effects Plug-in
Sunny Preset for Topaz Black and White Effects
NIK Color Efex Pro 4 – Digital Lady Syd’s Review!
The Art Corner: Painting and Sculpture by Tassaert
Pseudo HDR Using NIK Color Efex Pro 4
Quad Tones in Topaz Black and White Effects Plug-in
 |
This image is of an old cannon on the grounds of the Historic Fairfax County Courthouse in Virginia. I do love NIK’s new Color Efex Pro 4 plug-in, but I keep going back to Topaz’s new Black and White Effects plug-in. (Hover over image to see original shot.)
The Topaz Black and White Effects preset I created gives a really nice sunny vintage feel and I think it is great for that historic look. To create the preset, select the Van Dyke Brown Collection Effect and Chamoisee Cyan preset as a starting point. The trick to getting this look is to set up in Finishing Touches the Quad Tones using these settings: Color 1 Region (R1 G1 B12) – 15.08; Color 2 Region (R63 G78 B85) – 143.9; Color 3 Region (R216 G211 B129) – 227.5; and Color 4 Region (R255 G254 B237) – 225.0. The sliders will need to be adjusted depending upon the image used. The Transparency setting was set to 1.00. For this image a small light Edge was added. Also, I was able to brush away the distortion over the back part of the left wheel using the Burn tool with a large brush and lightly clicking a few times, then using a smaller brush to run over the details just a bit. It totally disappeared! These brushes work wonders! To bring out the cannon a little more, back in Photoshop the image was sharpened using a High Pass Filter set to 9.1 Radius, a black mask was added to cover up the effect, and then by painting just the cannon on the mask, only it becomes sharp.
I really like the Quad Tone effect in this plug-in. Topaz has created a very nice video on how to use this section called “Quick Tip – Quad Toning Explored.” This may be the key to why it is hard to reproduce this look in other plug-ins.
For more information on this plug-in, see these related posts:
Fun Photoshop Blog: “Topaz B&W Effects Plug-In-A Real Winner!”
Tidbits Blog: “Topaz B&W Effects vs. Nik’s Silver Efex Pro”
Tidbits Blog: “Just Another Topaz Black and White Effect Example“
The New Film Efex-Vintage Filter From NIK CEP 4
 |
I love this image – the clouds reflecting in this building on I-4 in Orlando were beautiful! Hover over image to see original image. The stack contains these filter effects: Darken/Lighten Center, Brilliance/Warmth, Tonal Contrast, Image Borders, Dark Contrasts, and Film Efex: Vintage (another one of the new filters that has so many different film types that it is hard to choose one). Below is what the Film Efex: Vintage screen looks like to give you an idea of how many choices you have just for this one new filter.
In this NIK interface image, you can see how all the filter effects stack. For just this filter there are 29 film types to choose from – the one showing is Type 17 but I actually ended up using Type 11. There are so many sliders to adjust to get just the look you want. (In case you cannot read them, from top to bottom they are: Saturation, Warmth, Vignette, Brightness, Grain per Pixel, Film Strength, Film Type (drop down list) and Opacity. The Opacity slider at the bottom will do a final effect amount so the image does not look overdone. Below is another example of what a nice effect this filter will give. Only this filter with Film Type 16 was applied and it brought out the texture of the wall very nicely.
Just using this one filter and trying out different effects will be a lot of fun! Definitely give this filter a second look – much more than it appears at first glance!…..Digital Lady Syd
PS: Check out my Fun Photoshop Blog “NIK Color Efex Pro – Digital Lady Syd’s Review” and my Tidbit Blog “NIK Color Efex Pro 4 – First Try!” for more information on this great plug-in from NIK.
